Stephen Huyler


Gifts of Earth
Terracottas & Clay Sculptures of India

Stephen Huyler

Publisher: Mapin Intl
Date: January 1996

Clay is essential to Indian culture past and present. It is accessible everywhere; it takes form with very little effort; and its fragility assures its constant renewal. It has been the perfect vehicle for Indian creativity throughout the ages. The shapes and styles of items made of clay, both fired and unfired, are innumerable. They comprise everything from the miniscule to the gigantic, from simple to highly ornate, from realistic to abstract, from purely practical to utterly fantastic. Many of the potters who make then act dual roles as craftsmen and as links to the god. Their products are often remarkably similar to those found in ancient archaeological sites and many potters believe that they are directly descended from India’s earliest craftsmen.
There are more working potters in India than in any other country of the world – more than 350 thousand! Every community, however small, usually incorporates at least one working potter, while towns and cities have large potting populations. As these craftsmen cater to an extraordinary diversity of subcultures, traditions and environments, their products are usually varied. They make vessels for every conceivable household use; from the simplest clay lamps, cooking pots and food containers, to storage bins eight feet high. They sculpt images to be used in religious ceremonies ranging from tiny figures made form pinches of clay to magnificent horses and elephants over eighteen feet tall, the largest terracottas ever created in the history of humanity.
In a text sumptuously illustrated in colour, the author and photographer, Stephen P. Huyler, surveys this exciting craft through examples from all over India. He documents contemporary potters; their techniques and production, and the use of clay in the households and temples today, exploring comparison of today’s products with those of ancient India. Discovered by the author during nineteen years of extensive travel, research, and photography throughout the Indian subcontinent, most of these sculptures and vessels have never been documented before.

 

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